Joan Haste

Генри Райдер Хаггард

The author of adventures as King Solomon’s Mines and She turns to domestic drama in this romance. Joan is a shop girl of illegitimate birth a single mother at the same time. Torn from the love of country-dwelling Captain Henry Graves, Joan endures exile with a Dickensian London family, and pursuit by a Victorian-era stalker.

H.В Rider Haggard

Joan Haste

TO I.H.

Il y a une page effrayante dans le livre des destinées humaines; on y lit en tête ces mots: “les désirs accomplis”

В В В В Georges Sand

Chapter 1

Joan Haste

Alone and desolate, within hearing of the thunder of the waters of the North Sea, but not upon them, stand the ruins of Ramborough Abbey. Once there was a city at their feet, now the city has gone; nothing is left of its greatness save the stone skeleton of the fabric of the Abbey above and the skeletons of the men who built it mouldering in the earth below. To the east, across a waste of uncultivated heath, lies the wide ocean; and, following the trend of the coast northward, the eye falls upon the red roofs of the fishing village of Bradmouth. When Ramborough was a town, this village was a great port; but the sea, advancing remorselessly, has choked its harbour and swallowed up the ancient borough which to-day lies beneath the waters.

With that of Ramborough the glory of Bradmouth is departed, and of its priory and churches there remains but one lovely and dilapidated fane, the largest perhaps in the east of England – that of Yarmouth alone excepted – and, as many think, the most beautiful. At the back of Bradmouth church, which, standing upon a knoll at some distance from the cliff, has escaped the fate of the city that once nestled beneath it, stretch rich marsh meadows, ribbed with raised lines of roadway. But these do not make up all the landscape, for between Bradmouth and the ruins of Ramborough, following the indentations of the sea coast and set back in a fold or depression of the ground, lie a chain of small and melancholy meres, whose brackish waters, devoid of sparkle even on the brightest day, are surrounded by coarse and worthless grass land, the haunt of the shore-shooter, and a favourite feeding- place of curlews, gulls, coots and other wild-fowl. Beyond these meres the ground rises rapidly, and is clothed in gorse and bracken, interspersed with patches of heather, till it culminates in the crest of a bank that marks doubtless the boundary of some primeval fiord or lake, where, standing in a ragged line, are groups of wind-torn Scotch fir trees, surrounding a grey and solitary house known as Moor Farm.

The dwellers in these parts – that is, those of them who are alive to such matters – think that there are few more beautiful spots than this slope of barren land pitted with sullen meres and bordered by the sea. Indeed, it has attractions in every season: even in winter, when the snow lies in drifts upon the dead fern, and the frost-browned gorse shivers in the east wind leaping on it from the ocean. It is always beautiful, and yet there is truth in the old doggerel verse that is written in a quaint Elizabethan hand upon the fly-lead of one of the Bradmouth parish registers -

“Of Rambro’, north and west and south, Man’s eyes can never see enough; Yet winter’s gloom or summer’s light, Wide England hath no sadder sight.”

And so it is; even in the glory of June, when lizards run across the grey stonework and the gorse shows its blaze of gold, there is a stamp of native sadness on the landscape which lies between Bradmouth and Ramborough, that neither the hanging woodlands to the north, nor the distant glitter of the sea, on which boats move to and fro, can altogether conquer. Nature set that seal upon the district in the beginning, and the lost labours of the generations now sleeping round its rotting churches have but accentuated the primal impress of her hand.

Though on the day in that June when this story opens, the sea shone like a mirror beneath her, and the bees hummed in the flowers growing on the a